Everything goes. Even him. Even her. Even-stephen. Bye, you! Best goodbye! mmm...I calm down. We will pretend this moment is forever, you and I, or I will... Excellent moments are too few. I comfort you....you...you. You. You. I work to have an inside, for-real, for-me, from-real-me, excellent moment of complete forgiveness. You, too? I figured. We
I begin each day as a negative number. I zero in. One is a win. One is whole. One is real. Even a fraction is a plus. I divide with dignity. No eleven or seventeen parts, no forty-thirds. Clean fourths. Sustainable sixths. Suitable to formulas, to products, and results. If despite all effort I am not positive, then I owe the universe a temporary de
I walk the mystery city, its dark angles and golden slices. I make my way up  glasstic, gargoyle'd, rubble-shine to the only way in
I went to hear Massimo Pigliucci at SUNY Ulster on May 5th (2012. He was promoting his book, "Nonsense on Stilts: How to Tell Science from Bunk." It's full of lucid examples from the borderlands of science and pseudo-science, and a lot of fun to read. The talk included a funny and useful slideshow. He presented some remarkable (and challenging) poi
In 1936, the publishers of The Dolphin: A Journal of the Making of Books, began work on “A History of the Printed Book.” They commissioned essays. They sent staff into the cauldron of pre-war Europe to rescue woodblocks, copperplates, etchings, and examples. They were convinced that books would always exist, and felt an obligation to document the original materials and methods, and the talented artisans, who invented and perfected printing. The result is a richly illustrated and uniquely detailed history, written by scholars.
fine art prints
writing by Greg Correll